Revelations Sol Vs Ky. Starchaser Sol Badguy's Theme. Pillars of the Underworld Ky's Theme. The Great Empress Millia's Theme. Dementia Eddie's Theme. Megatona Furioso Potemkin's Theme. Child of the Wild Chipp's Theme. Take the Pain Faust's Theme.
Dogs On the Run Axl's Theme. Ricochet Baiken's Theme. Riding the Clouds Anji's Theme. Keeper of the Unknown Venom's Theme. Desert Dust Johnny's Theme. Sticks and Stones Jam's Theme. In the Arms of Death Testament's Theme. Tears are Forever Dizzy's Theme.
Crash And Burn Bridget's Theme. Just when you think the best is over, the soundtrack delivers an almost equally compelling encore performance of sorts courtesy of Koichi Seiyama. First you've got the three ending themes from XX: one that is actually very similar to Bridget's theme in its' playfulness, one that has sort of a heavy-blues feel, and one that is mostly piano-based.
After that comes the tracks for the rest of the game, most notably "D. The last five tracks are a treat for Guilty Gear veterans and a godsend for people who are brand new to the series. Both of these have been upgraded appropriately to the Guilty Gear XX sound set and are simply great. Justice was one of those bosses that felt it wasn't fair for you to be able to hurt him as he tore you apart, leading to one of the more aggravating boss battles in fighting game history.
I've spent well over 20 hours fighting him in the original game, so the original theme of his was already lodged in my head. For me, getting this new version almost justified the purchase of the entire soundtrack. The Guilty Gear XX Original Soundtrack is no doubt a masterpiece, but there is still the nagging question of whether or not you should buy this if you have Heavy Rock Tracks.
Conversely, there is also the question if you should get Heavy Rock Tracks if you own this one already. My honest answer: I can't live without having the both of them, so I'm recommending getting both if you even remotely like the Guilty Gear style. No doubt, this one contains the most material and plenty of the best versions of the returning songs If you're interested in getting into the series' music and can only pick one Geez, I don't know Making that kind of decision hurts my head Flip a coin or something.
They're both equally excellent, but for different reasons. On a side note, if you have both of them already and are looking for more, be sure to look into Guilty Gear XX Sound Alive , which is a smoldering live performance by most of the same guys who performed these original pieces.
This soundtrack is widely available from most major game music sellers. Introducing new characters and themes, Daisuke Ishiwatari creates the epitome of the Guilty Gear sound in this one.
How are the new themes in the series and are the sound improvements a drastic change from Guilty Gear X? Let's take a little journey Many of the tracks featured in Guilty Gear XX bear close resemblance to those in Guilty Gear X Heavy Rock Tracks , meaning the veteran themes have a much more raw sound and more focus on the electric guitar.
I'll spend this review looking at tracks that are just now being featured in the Guilty Gear series while I'd suggest you refer to my box set or Guilty Gear X Original Soundtrack review for discussion of returnees. The overall melody is rather strong and is a great addition to the series' music. It helps to create this feeling of bliss.
Another character, Slayer, has a theme that resembles "The Original" in terms of instrumentation. The overall jazzy feeling is even stronger in this piece. One of my favorites, "Good Manners and Customs", belongs to perhaps the most interesting of characters, Zappa. It's an awesome combination of electric guitar, complete with solo, organ, and some nice synth work. It has the most infectious melody of all the character themes, and helps go nicely with the nature of his character.
I-No's theme, "Kagematsuri Festival of Shadows ," is rather standard for the series. Heavy focus on the electric guitar, with very little development in other instruments, it still provides a nice listen.
Rather than regular piano, electric piano replaces the piano portions of this piece, while the remainder of the piece is the classic electric guitar found in the original. It's quite a pleasant listen. It offers a much improved sound, the new themes offer a fantastic treat to the listener, and the energy is so much higher than in previous soundtracks. It's a well executed album and it captures the spirit of the game amazingly.
If you were to only buy one Guilty Gear soundtrack, I highly recommend it to be this one. Daisuke Ishiwatari can't be called the biggest player in the video game music arena, but his soundtrack to Guilty Gear XX is pretty gifted work, more often than not. It's primarily composed of wicked, awesome heavy metal full of guitars howling like ferocious wolves with occasional orchestral, jazz and even traditional Japanese and Chinese sounds here and there. Besides the metal tracks there are also some "lighter" rock, jazz, blues and piano ballads.
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